Vusi grew up in the Mamelodi township, just outside of Pretoria, South Africa, where he still resides. As Vusi tells it, he grew up a happy kid and was blind to the injustices in his country. His grandmother operated a Shebeen behind their home. Due to the cultural boycott inflicted by Apartheid, black South African music was hard to come by and was banned from being played on the radio. So, they played American records in the pub. James Brown. Motown. The Commodores. And whatever South African and African recordings they could find: Mahotella Queens, Mahlatini Queens, Miriam Makeba, Dark City Sisters, Fela Kuti. Young Vusi and his neighborhood friends formed a little band of their own and started making music of their own, inspired by the recordings they heard wafting out of the Shebeen. Vusi built his first guitar from fishing line and a cooking oil can and taught himself how to play. In 1976, Vusi’s political education began as he witnessed the devastating massacre of more than 200 black South Africans in the Soweto Uprising. Vusi responded through his music, inspiring other musicians and listeners around him.
Vusi began to write songs of justice, of freedom, of revolution, of love, of peace and of life. He joined a poetry group, The Ancestors of Africa, and also joined the Congress of South African Writers, a group of like-minded artists and writers, including Nobel Laureate Nadine Gordimer who paid for Vusi’s first guitar lessons. At this point, his political activism truly began. For the “crime” of writing songs of freedom and human dignity, Vusi was held in solitary confinement; he was harassed by the police repeatedly. Many of his friends fled the country. Through this struggle, his songwriting became not only prolific but also healing for himself and for his listeners. And as Nadine Gordimer so vividly puts it, “Vusi sings as a bird does, in total response to being alive.” He simply became known as “The Voice.”